The QR Network
  • Interviews
  • News
  • Partners
    • EDM Reviewer Weekly Recaps
    • Respect My Region
    • Eonity
    • TNC Music
    • Studio Rijpkema
    • Atlanta EDM
    • The Music Elk
  • About
    • Contact
  • Privacy & Cookies

The QR Network Presents

EDM Interviews, Experiences, and Everything in Between.

Parker Discusses Creative Freedom and Breaking the Mold

5/8/2019

0 Comments

 
Picture
When I first got into EDM, one of the first artists whose music I really fell in love with was Jake Sgarlato. The melodies and unique blend between bounce and big room really blew a hole in the water. However after a release on TNC Recordings with REGGIO, Jake Sgarlato seemingly vanished from the scene. Meanwhile, an anonymous producer by the name of Parker was generating waves in the melodic bass music scene with early support from major blogs as well as the likes of Borgore and Diplo. Here in our exclusive interview, we'll finally bridge these two aliases and learn more about the real Jake Sgarlato.
Let's start off with Jake Sgarlato, the project. Under this "alias" which is actually your real name, you collaborated with some of the biggest names in bounce and big room like Joel Fletcher, Dirty Audio, Pitchback, and REGGIO. You were known for incredible melodic breakdowns and an energetic bounce style. What can you tell us about this time in your career and what caused you to leave the project behind? 
Thanks man, I appreciate that. I take a lot of pride in my melodies - I feel like it's the most important part of my music and the emphasis on them comes naturally. In the beginning, I was discovering my identity as an artist. Using my name was fun but it ended up making me feel trapped. I struggled with not knowing how to break out of what I was making and I got lost trying to cater to labels and make sounds I just didn't feel. The whole thing sucked me dry. 
 
I eventually had a cool conversation with a friend about potentially rebranding. The more I thought about it, the more I knew a different name would allow me to expand on my potential as an artist and really express all I've learned as I've evolved. It felt like the new start I needed.  It was something that was scary for sure because I knew this idea could fail, but I also knew I'd always pick myself up and keep going.
I came up with the name Parker, the brand, and the music so quick. It was all just me making whatever the hell I wanted to make. I let my creativity run wild. It still feels good to be able to make WHATEVER I want without any shackles around me. So I don't think "Jake Sgarlato" will come back in the same way since it was limiting to me. But sometimes I miss making big room and progressive house so maybe similar sounds will continue to flow out eventually. I am the producer regardless of the transformations with my name or brand. The most important I've learned was just figuring out how I could do what I wanted to do even if what that sounds like is changing all the time.
View this post on Instagram

Hey @afkmusic â–¡

A post shared by PARKER (@parkerhits) on Jul 11, 2017 at 11:34am PDT

Parker started with a fair amount of hype due to the anonymous nature and unique, unpredictable releases. How did you form your marketing campaign and how do you think that anonymity played into your current success?
I think having a brand is super important. Simply, it helps bring a project to life. Especially from the start. I give a lot of credit to my manager, Steven, who helped me roll out everything. We knew once I started playing shows my face would be revealed and my agents were on board with that. I didn't want to hide my face while I played, I want people to see who I am. I'm a normal person just like everyone else. Fulfilling a huge dream of mine. I think it's important to have the brand connected to me. I still can't believe people have tattoos of Parker on them. It's incredible and at the end of the day Jake Sgarlato is Parker and Parker is Jake Sgarlato and they are both just me.
View this post on Instagram

A post shared by PARKER (@parkerhits) on Oct 24, 2017 at 3:25pm PDT

I knew people would put two and two together. I'm okay with that. I'm still proud of my past work. Everybody has a beginning. I think it could help people who are stuck to liberate themselves and do whatever they want. Not to be scared to make the jump into the unknown and learn to be something greater than what they once were. The little Parker guy represents it all: It doesn't matter what you look like. Even if you're just this little cartoon living in this big world, you will always have a place. It's important to always find that, staying true to yourself.
You've explored so many genres under the Parker alias. What has been your creative process and what genres are you enjoying right now? 
I'm just making whatever I'm feeling in the moment. Once I was free of feeling trapped, all of a sudden, I could explore any sound I wanted. It's crazy how the creative process works with no boundaries. I'll just be hiking or driving and a melody will just come into my head. Not many people know this, but I record my melodies into my phone with my voice and come home to put it down in Ableton. 
 
Having a good workflow is so important. I know what works best for me to finish songs efficiently. I work fast so that I don't lose my ideas and can keep building off my own momentum in each project. My ears were the hardest thing to master when I first started. I saw Porter Robinson talk about training your ears around 2011 and I would think to myself, "What the fuck does that mean? "And now I know what he meant. Your ears are your best friend for production.
Could you give us some memorable moments from your time on stage? 
I have a couple! I played a show in Connecticut that was just weird from the start. Once we pulled up to the venue, we noticed the line was very long but full of a much older crowd than we were used to. My tour manager already was super skeptical, I remember telling him, "It'll be cool! Don't trip!" We went inside and found out that it was a Yale Alumni Party. They booed the opener the entire time which I had never seen happen before. Plus he was playing great music! So I go on and play some hip hop and they IMMEDIATELY start booing me!!! I tried everything, literally every genre. It got to the point where my tour manager had to try and talk to the promoter, who was never to be found. I have no idea what their deal was, but it did not feel like a show I was supposed to play. Pretty hilarious to experience, but still I loved it because I thought it was so funny.
View this post on Instagram

A post shared by PARKER (@parkerhits) on Jan 3, 2018 at 9:40am PST

You're a fairly active gamer in addition to your musical endeavors. What has been your experience with streaming and what do you enjoy most about being the gaming community? 
I love streaming! Video games has been a huge part of my life to decompress. Now having a little bit of an audience, it's incredible being able to stream, talk to fans, and show them a ton of new music. That's one of my favorite things. If I have a fairl amount of people watching me, I'll be like, "Okay, who wants to hear new shit" and play all 140 Parker tracks on my computer. Yes. 140 songs. I love playing games with one of my good friends, catbread. We just fuck around a lot when gaming. We don't care about anything. We'll talk shit to each other and other people, and everyone is always laughing. I have the funniest clip ever that sums up our gaming life.
View this post on Instagram

A post shared by PARKER (@parkerhits) on May 2, 2019 at 10:04am PDT

What's next for Jake Sgarlato, the person? 
My plan right now is to focus on producing. I'm blessed to have a little break from shows to create new music. I really think right now, I am making the best music of my life. I'm melding some of my old sound into some new sounds and it's feeling great. I have an EP finished, and while we finalize it's details, I'll just say I'm calling it "Infinity". There are also some new visuals with Parker 2.0 that I can't wait to finally share. Visuals mean so much to me and to the audience. Having people connect with your music with all their senses feels important.
This year has already started off big with my Chainsmokers remix. I had never had a major artist like them mess with my music and so it really lit a fire under me to keep showing up for this work everyday. We are also currently working on a massive tune that they recently dropped at ULTRA. Which was the craziest feeling ever. They mashed it up with LIL NAS which made it pop off even more!
 
I'm really cracking down on the little things in my career now - things that I may have missed a few years back. I'm spending more time building relationships with my fan base because connecting to people through the music is what it's all about for me. To the fans who have been with me or are new: I wouldn't be anywhere without you. All the messages keep me working hard and I respond to every one of them. All in all. This year has already been great. I am so thankful for how things are turning out. I plan to continue to strive to be the best I can be, not only for myself but the people around me!


Thank you so much to Parker for taking the time to answer our questions! Be sure to follow him using the links below!

SPOTIFY TWITCH INSTAGRAM FACEBOOK SOUNDCLOUD

NEXT

Interview with Retrovision

PREVIOUS

Picture

OTHER INTERVIEWS

Picture
Picture
Picture

Chris W. Lao

Writer, DJ, and Student.

0 Comments



Leave a Reply.

    Interviews:

    Adventure Club
    Axollo
    B3RROR
    Birthdayy Partyy
    Cat Dealers
    ​Chad Kowal 
    Chester Young
    Chocolate Puma
    Conor Ross
    ​Corx
    D'Angello & Francis
    Dannic
    Damien N-Drix
    Debris
    Declain
    Dirty Ducks
    DJ Brooklyn
    Drop Department
    Fabian Mazur
    Folded Dragons
    Foxa
    Herobust
    High 'n' Rich
    ​Husman
    Ibranovski
    ​Jex Jordyn
    Jimmy Clash
    ​Jonth
    ​Jordan Jay
    Justin Mylo
    KAAZE
    Kage
    Kompany
    Krimsonn
    ​Kris Kiss
    ​Leah Culver
    Loca Recordings
    ​Loris Cimino
    DJ Luane de Lima
    Luca Schreiner
    Lucille Croft
    Maddix
    Magnificence
    Marauda
    Maurice West
    Merzo
    ​Micah Martin
    ​DJ Natalia Moon
    NEVERGLOW
    Nino Lucarelli
    Olly James
    ​OUTRAGE
    Pessto
    Peter Rijpkema
    Pharien
    Pro​tohype
    Retrovision
    Riot Ten
    ​Roy Orion
    RudeLies
    SaberZ
    ​
    Salvo
    Sativ Records
    Seth Hills
    Sophie Francis
    Steven Vegas
    Stisema
    ​Sunday Noise
    SWACQ
    Syzz
    ​TBR
    Teminite
    TNO
    Todd Helder
    Tom & Jame
    Tom Wilson
    Tommy Jayden
    Triple M
    TV Noise
    Valy Mo
    Wasback
    Yuki-San
    Zubah
    9lives

    Tags

    All
    Armada Artists
    Axtone Artists
    Bass House
    Big Room
    DJs
    Dubstep
    EDM Adventures
    EDM Industry Professionals
    EDM News
    EDM Spotlight
    Future Bass
    Future House
    Imagine Festival
    Interviews
    NCS
    Progressive House
    Quartzo Artists
    Revealed Artists
    Site Updates
    Spinnin' Artists
    STMPD Artists
    The Music Elk
    United
    Vocalists

    Archives

    October 2021
    June 2021
    March 2021
    September 2020
    July 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018

    RSS Feed

Ventures

FACEBOOK
Instagram
ITUNES
​TWITTER
​MiXcloud
Soundcloud
Youtube

QR Network

About
​Privacy

© COPYRIGHT 2021
. ALL RIGHTS RESERVED.
  • Interviews
  • News
  • Partners
    • EDM Reviewer Weekly Recaps
    • Respect My Region
    • Eonity
    • TNC Music
    • Studio Rijpkema
    • Atlanta EDM
    • The Music Elk
  • About
    • Contact
  • Privacy & Cookies